Bach - Cello Suites (2CD) (Maurice Gendron) [FLAC+cue], One of the biggest torrents indexer with more then 8000000 torrent files listed.

Rutracker.org_.t5035723.torrent 토렌트 정보 마그넷 magnet:?xt=urn:btih:fd11e13b1a859ada8a944b30b89a6d 파일 1: artwork/Cello Suites - Booklet.pdf (9.5M) 2: artwork/Cello Suites - sleeve.jpg (1.3M) 3: 00 - Bach - Cello Suites.m3u8 (1.7K) 4: 01 - Suite No.1 in G major - I. Prelude.flac (40.4M) 5: 02 - Suite No.1 in G major - II. Allemande.flac (81.7M) 6: 03 - Suite No.1 in G major - III. Courante.flac (48.0M) 7: 04 - Suite No.1 in G major - IV. Sarabande.flac (48.6M) 8: 05 - Suite No.1 in G major - V. Menuet I, II.flac (65.0M) 9: 06 - Suite No.1 in G major - VI.

Gigue.flac (28.8M) 10: 07 - Suite No.3 in C major - I. Prelude.flac (54.5M) 11: 08 - Suite No.3 in C major - II.

Allemande.flac (74.5M) 12: 09 - Suite No.3 in C major - III. Courante.flac (56.5M) 13: 10 - Suite No.3 in C major - IV. Sarabande.flac (79.8M) 14: 11 - Suite No.3 in C major - V.

Bouree I, II.flac (70.3M) 15: 12 - Suite No.3 in C major - VI. Gigue.flac (56.6M) 16: 13 - Suite No.5 in C minor - I. Prelude.flac (114.7M) 17: 14 - Suite No.5 in C minor - II. Allemande.flac (122.7M) 18: 15 - Suite No.5 in C minor - III. Courante.flac (46.8M) 19: 16 - Suite No. Cultural Studies Teori Dan Praktek Chris Barker Pdf. 5 in C minor - IV. Sarabande.flac (61.4M) 20: 17 - Suite No.5 in C minor - V.

Gavotte I, II.flac (98.7M) 21: 18 - Suite No.5 in C minor - VI. Gigue.flac (42.7M) 22: 19 - Suite No.2 in D minor - I. Prelude.flac (59.2M) 23: 20 - Suite No.2 in D minor - II. Allemande.flac (64.9M) 24: 21 - Suite No.2 in D minor - III. Courante.flac (37.9M) 25: 22 - Suite No.2 in D minor - IV. Sarabande.flac (89.6M) 26: 23 - Suite No.2 in D minor - V.

Menuet I, II.flac (71.0M) 27: 24 - Suite No.2 in D minor - VI. Gigue.flac (49.8M) 28: 25 - Suite No.4 in E flat major - I. Prelude.flac (60.8M) 29: 26 - Suite No.4 in E flat major - II.

Allemande.flac (71.2M) 30: 27 - Suite No.4 in E flat major - III. Courante.flac (59.2M) 31: 28 - Suite No.4 in E flat major - IV. Sarabande.flac (64.1M) 32: 29 - Suite No.4 in E flat major - V.

Bourree I, II.flac (112.2M) 33: 30 - Suite No.4 in E flat major - VI. Gigue.flac (49.4M) 34: 31 - Suite No.6 in D major - I. Prelude.flac (86.2M) 35: 32 - Suite No.6 in D major - II. Allemande.flac (142.6M) 36: 33 - Suite No.6 in D major - III. Courante.flac (62.7M) 37: 34 - Suite No.6 in D major - IV. Sarabande.flac (84.5M) 38: 35 - Suite No.6 in D major - V.

Gavotte I, II.flac (85.0M) 39: 36 - Suite No. Coreldraw X3 Product Installation Unsuccessful. 6 in D major - VI. Gigue.flac (72.8M).

Hyperion’s record of the month for May is a major milestone for a performer at the zenith of his career—described recently in The Independent as ‘the stuff of legend’. Steven Isserlis’s award-winning discography spans his diverse interests in repertoire and his musicological enthusiasm, as well as demonstrating his supreme artistry and uniquely beautiful sound, and his first recording of the complete Bach cello suites is an indelibly important addition to the set. Steven writes that ‘the Bach suites are works of such total perfection, such sublimity, that it is well-nigh impossible to feel ready for them’. He has proved more than adequate to the task and this release is a triumphant conclusion to an artistic pilgrimage.

Steven’s eloquent booklet notes reveal his personal thoughts about the suites, as well as extensive academic research. His is an interpretation that has come from his passionate involvement in the music rather than from following the various theories that abound in Bach scholarship, and he discusses it fully in an article which is a perfect complement to this wonderful release. ‘This is the most wonderful cello-playing, surely among the most consistently beautiful to have been heard in this demanding music, as well as the most musically alert and vivid  few will fail to be charmed by Isserlis's sweetly singing tone, his perfectly voiced chords and superb control of articulation and dynamic—the way the final chord of the First Prelude dies away is spellbinding. There are so many other delights: the subtle comings and goings of the Third Prelude, the nobly poised Fifth Allemande, the swaggering climax into the Sixth Gigue—I cannot mention them all.

Suffice to say that Isserlis's Bach is a major entrant into an already highly distinguished field, and a disc many will want to return to again and again’ (Gramophone). ‘His judicious ornaments sensitively decorate—never distort—Bach’s lines  rhythmically he’s impeccable. The free ‘phantasticus’ style of the first four Preludes is gloriously fluent, capturing the harmonic flow implied within the single cello line. The fifth, a French Overture, is free of bombast and its subsequent quasi-fugue lyrical and unhurried. Isserlis plays the sixth suite, intended for a five-string instrument, on a normal four-string cello, negotiating the stratospheric range with astonishing ease  his sense of style is matched by an outstandingly secure technique. He has no need for those impassioned tenutos behind which others hide the terrors of multiple-stopping  recording quality is excellent—two-channel stereo is all that’s required, and it’s excellently balanced between immediacy and spaciousness.